Une brève histoire de l’art de Niepce à nos jours, par André Vigneau, Robert Laffont
€28.00
Published in 1963 with a preface by Jean Cassou, A Brief History of Art from Niépce to the Present Day offers an original perspective on the evolution of art since the invention of photography.
Rather than following a traditional history of artistic movements, André Vigneau examines the profound impact of Nicéphore Niépce's invention on painting, photography, cinema and modern visual culture. The book explores how technological innovation transformed artistic creation and altered the way people perceive images.
Illustrated with numerous black-and-white reproductions, the volume combines art history, visual theory and cultural reflection.
This copy is enriched by an author's inscription.
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Condition
Paperback. Worn illustrated covers. Light foxing to the top edge. Sunned and worn spine. Sunning mark to the rear cover. Very good overall condition. 190 pages. Author's inscription.
About the author
André Vigneau was a French photographer, filmmaker and art theorist who played an important role in promoting photography as a major artistic medium during the twentieth century.
Historical Context
Published in 1963, the book reflects a period of growing interest in photography, cinema and visual culture, at a time when historians increasingly recognized their importance within the wider history of art.
Collectibility
The author's inscription, combined with André Vigneau's importance in the history of French photography, gives this copy additional bibliophilic interest.
C22-2
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Published in 1963 with a preface by Jean Cassou, A Brief History of Art from Niépce to the Present Day offers an original perspective on the evolution of art since the invention of photography.
Rather than following a traditional history of artistic movements, André Vigneau examines the profound impact of Nicéphore Niépce's invention on painting, photography, cinema and modern visual culture. The book explores how technological innovation transformed artistic creation and altered the way people perceive images.
Illustrated with numerous black-and-white reproductions, the volume combines art history, visual theory and cultural reflection.
This copy is enriched by an author's inscription.